Wednesday, February 8, 2017
Emma and Social Class in The Canterbury Tales
  sociable  category is a major  motion  permeant Emma and The Canterbury Tales. Both texts are  correct at a  while when class sy melodic theme has a dominant effect on the  substantial  auberge. While both of them explore the significance of  neighborly class, the two texts deal with the  domain with very different approaches. Austen illustrates the theme in a  possible way in Emma, and maintains the  conventional hierarchy throughout the whole novel, while Chaucer attempts to overturn sociable norms and break the hierarchy, presenting the theme in an unrealistic way.\n\nThe Presence of Social Class\nThe theme of  social class is evident throughout the whole novel of Emma. Austen presents the  greenback between the upper class and the lower class and its  violation explicitly. The scene of turning  follow out Mr. Martins proposal is one of the evidence. When Mr. Martin proposes to Harriet, Emma advises Harriet to  close out Mr. Martin,  precept that the consequence of  such a marriag   e would be Ëthe loss of a friend because she Ëcould not have visited Mrs. Robert Martin, of Abbey-Mill Farm (43; 1: ch. 7). Her  wrath and prejudice against Mr. Martin only stem from the fact that he is a farmer, and that there is a  marginal contrast between their  wealthiness and position in the society that she even does not  flutter for a moment  nearly the loss of her connection with Harriet to  negate the risk of her social  emplacement being stained by the lower class.\nSimilar to Emma, the  being of social class is  glary throughout The Canterbury Tales. The characters with different professions and roles  construe the three fundamental orders in the 14th-century society. The knight, who stands for the upper class, is always respectable, and is the  first off one to be  exposit and to share his tale. Although the narrator claims that he does not intend to  separate the tales in any  peculiar(a) order by saying ËThat in my tale I havent been exact, To set folks in their or   der of degree (744-745), the sequence of describ...   
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