Editing - Postive Reasons to Cut

INTRODUCTION Editing is what I believe to be the secondary coil control over the audiences reactions. From the very first opening sweep to the very withhold back one, there has been some exact decision making whether or not each straight shot works in conjunction with the next. Cutting helps word raw footage by exquisitely structuring elements while keeping ease and emphasis. Critt prohibiten describes 15 positive reasons to fare. These decisions, guardedly selected by the editor should be followed by comparison with front shots. Out of these 15 I have selected techniques that best accept to my examples of my chosen episodes. TECHNIQUES IDENTIFY OR OBSERVE THE CHARACTERS? Within a series of shots, be we, the viewers, there to mentally identify with a particular character(s) or entirely wield the current on goings? To identify with characters, parley is important and use of close-ups are used with slight pauses at the end to realise the reactions displayed, wh ereby mere observing entails mid-shots à wide-shots where dialogue is not in addition important but to create the atmosphere and we repel hold the scene. In a particular episode of Only Fools and Horses, terminal is moaning to Dale nearly the cheap briefcases that have their combination codes locked inside. Their old find pops up in 2 shots to pipe up a commentary or two.

The editor has made use of medium-shots à to wide-shots where we arent in addition focused on the psychological importance of the characters but only if observe their sarcastic quarrels. In an episode of Friends, Ross is complaining to Joey and since no-one wants to teach about! their squabbles, Chandler tries to agitate the conversation which leads to confusion. The editor has neatly cut from medium-shots to close-up reaction shots where we earn Monica and Phoebe talking. We need to identify with their facial expressions to... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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